Gender studies have been mostly equated with women's studies, and therefore, studies on the field have been limited. However, in the following periods, masculinity studies began to develop in order to make sense of/understand the power and position of men in society. Masculinity studies can make the social pressure on men visible and reveal that different masculinity identities are possible. On the other hand, in movies that are influenced by the social, male characters are not reflected with their strong and dominating features, but rather weak and passive, and in this case, they are explained with the concept of masculinity crisis. In this study, the reflection of the concept of masculinity crisis on Turkish cinema is examined. How the films reflecting the hegemonic masculinity in Turkish cinema have been shaped and transformed into a masculine crisis in the ongoing process from 1970 to the present has been evaluated with the films examined. The masculine crisis experienced by the male characters was revealed by the titling method used in the film analysis, and the change of masculinity identity was tried to be made understandable by comparing the film. The historical analysis method was used in the analysis of the film. In accordance with the films examined, the features considered as hegemonic masculinity change periodically and thus a new masculinity myth is built. On the other hand, it can be said that the concept of masculinity crisis points to the transformation in dominant masculinity model.